{"id":1189,"date":"2026-04-28T12:00:20","date_gmt":"2026-04-28T10:00:20","guid":{"rendered":"https:\/\/www-2025.dott.antichita.uniroma2.it\/2026\/04\/14\/il-frammento-2\/"},"modified":"2026-05-15T22:33:31","modified_gmt":"2026-05-15T20:33:31","slug":"the-fragment-2","status":"publish","type":"post","link":"https:\/\/www-2025.dott.antichita.uniroma2.it\/en\/2026\/04\/28\/the-fragment-2\/","title":{"rendered":"The Fragment &#8211; 2"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.27.5&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.6&#8243; _module_preset=&#8221;default&#8221; text_text_color=&#8221;#000000&#8243; text_line_height=&#8221;1.4em&#8221; header_font=&#8221;|800|||||||&#8221; header_text_color=&#8221;#0C71C3&#8243; header_line_height=&#8221;1.3em&#8221; header_2_font=&#8221;|700|||||||&#8221; header_2_text_color=&#8221;#000000&#8243; header_2_font_size=&#8221;20px&#8221; header_2_line_height=&#8221;1.3em&#8221; header_3_font=&#8221;|600|||||||&#8221; header_3_font_size=&#8221;20px&#8221; header_3_line_height=&#8221;1.3em&#8221; header_4_font=&#8221;|700||on|||||&#8221; header_4_text_color=&#8221;#E02B20&#8243; header_4_font_size=&#8221;22px&#8221; header_4_line_height=&#8221;1.3em&#8221; header_5_font=&#8221;|700||on|||||&#8221; header_5_text_color=&#8221;#0C71C3&#8243; header_5_font_size=&#8221;20px&#8221; header_5_line_height=&#8221;1.3em&#8221; custom_padding=&#8221;||50px||false|false&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h5>Morning session<\/h5>\n<p>Edificio B, Aula dipartimentale del I piano<\/p>\n<p>&nbsp;<\/p>\n<p>9,30<\/p>\n<h2>Christiane Vorster<\/h2>\n<p>Universit\u00e4t Bonn<\/p>\n<h3>La scultura antica tra frammento e integrazione<\/h3>\n<p>&nbsp;<\/p>\n<p>10,30<\/p>\n<h2>Emanuele Dettori<\/h2>\n<p>University of Rome Tor Vergata<\/p>\n<h3>Figure della frammentologia<\/h3>\n<p>&nbsp;<\/p>\n<p>11,30<\/p>\n<h2>Virgilio Costa<\/h2>\n<p>University of Rome Tor Vergata<\/p>\n<h3>La nascita e l\u2019evoluzione del piano editoriale dei <em>Fragmente der griechischen Historiker<\/em> di Felix Jacoby<\/h3>\n<p>&nbsp;<\/p>\n<h5>Afternoon session<\/h5>\n<p>Edificio A, aula T27<\/p>\n<p>&nbsp;<\/p>\n<p>15,00<\/p>\n<h2>Andrea Balbo<\/h2>\n<p>University of Turin<\/p>\n<h3>Problemi di edizione dei frammenti oratori: riflessioni metodologiche e proposte pratiche<\/h3>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h4>Tuesday, April 28, 2026<\/h4>\n<p>School of Humanities and Philosophy<br \/>1 Columbia St., Rome<\/p>\n<p>[\/et_pb_text][divi_wpfd_single_file file_params=&#8221;{%22selected_file_id%22:673,%22selected_category_id%22:16,%22selected_file_name%22:%222026 &#8211; 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